Review: Pusha T, 'My Name Is My Name'
October 23rd, 2013 10:12pm EDT
Pusha T captures a darker portrait of life exceptionally on his ‘official’ solo debut: To call ‘street life’ captivating would probably be an incredibly irresponsible statement to make. What isn’t an irresponsible description is that Pusha T delivers and captures a darker portrait of life exceptionally on his official solo debut, My Name Is My Name. Sure, the ‘dope game’ is nothing to glorify by any means, but something about Pusha T’s honest and authentic stories of a checkered past proves to be an interesting listen across these 12 excellent tracks. If nothing more, one definitely knows where half of rap duo Clipse stands.
“King Push” initiates with dark-tilted production work, driven by a marching band-like snare drum. From the jump, Pusha T is confident and hardcore about his intentions. This is evidenced by the hook: “I’m king Push, still King Push / I rap n***a ‘bout trap n***as / I don’t sing hooks.” Indeed Pusha T avoids sung hooks throughout My Name Is My Name and definitely sugarcoats nothing. The unapologetic nature of “Numbers On The Board” is welcome, with Pusha T kicking off things in electrifying fashion: “I’m so bossy, b**ch, get off me / it’s a different jingle when you hear these car keys…” Adhering to the 2013 rap trend of ‘god status’, Pusha seems to have more oomph than many of his contemporaries as he spits “It’s only one God, and it’s only one crow / so it’s only one king that can stand on this mound / King Push, kingpin, overlord…” There it is.
“Sweet Serenade” isn’t true to it’s title, continuing to sound mysterious and dark. Chris Brown’s usually enthusiastic pipes are subdued in effect to make the ‘sweet serenade’ a bit more ‘realistic’ you might say. “Come on let’s toast the champagne, this one’s for the life / did everything you could do to be here for the night / man it feels good, everything feels right / energy is strong enough to bright city lights / my whole team winning, no vision on quitting…I risk my life to try everyday to go and get it…” The track wins and apparently the “team [is] winning”, so why so scary? Well it is Pusha T. “Look, my ouija board don’t never lie to me / the best rapper living, I know who’s alive to me / yeah the competition’s all but died to me / Raah, I make these motherf**kers hide from me…” Maybe that’s why!
“Hold On” brings in Rick Ross, a perfect collaborator for Pusha T. Pusha never falls short lyrically, always delivering a compelling performance. Again, it is the brutal honesty that lifts Pusha, moments like “I sold more dope than I sold records / you n***as sold records never so dope/ So I ain’t hearing non of that street sh*t / cause in my mind, you motherf**kers sold soap…”. Pusha T is also equally effective on socially-conscious lines like “They tipping the scale for this crackers to win / no reading, no writhing, made us savage of men…”, seeming a reference to the ‘lot’ of the black man. Rick Ross balances the street and money on his guest spot: “Over night I seen a n***a go get a Carrera / two weeks later I had to be that boy pall bearer / young king bury me inside a glass casket / windex wipe me down for the life after.” Well we know one thing, Rozay has a thing about how he’s treated after death (see “Bury Me A G”). Brilliant by all means.
“Suicide” continues the enthrall and consistency, with Ab-Liva guesting on the third verse (“My future is bright hot, you never can last here / I’m top five, listen, who hot in the past year?”). Naturally given its title, Pusha T is in it for ‘blood’, but he still manages to deliver the street with some eloquence you might say: “You n***as clique-ing up with my rivals / like the bible don’t burn like these bullets don’t spiral / like I can’t see the scene that you mirror in your idol / but a pawn’s only purpose is completely suicidal…” On “40 Acres”, The-Dream lends his beautiful pipes to the hook of this reflective, autobiographical cut. One of the more notable moments from Pusha references his mother’s broken marriage: “Unpolished, unapologetic / might have broke a heart or two but gave an honest effort / my nonchalant attitude is always ‘eff it’ / 35 years of marriage and my momma left it…” Consistency continues.
“No Regrets” features Kevin Cossom singing the hook and Young Jeezy given his two cents on second verse. Ultimately, “No Regrets” is nearly enjoyable if not as enjoyable as everything else, but it also seems a bit overproduced. Still given the attitude conveyed here, the abundance of production and dynamically-loud moments doesn’t seem that far-fetched. “Let Me Love You” softens the mood, something that feels right at this point on My Name Is My Name. Kelly Rowland is the perfect R&B diva to deliver sexiness vocally, singing “Boy you got that six in the morning / you got that thing that’ll make a girl feel high… boy let me love you.” Pusha T isn’t exactly thinking ‘chivalrously’ though: “Hey mama come f**k with the shotta / with the Givenchy toppa, shoe Balenciaga / if you act right, I can match you up proper / if it’s about a dolla thing, big like Poppa.” Can’t go wrong with a Notorious B.I.G allusion, right?
“Who I Am” is nothing short of fire, no questions asked. Sure Pusha T didn’t select the most ‘intellectual’ crop of MC’s to guest with 2 Chainz and Big Sean, but it works out superbly. But honestly it should since all Pusha T really wants to do is “…buy another Rollie” and “…pop another band / I just wanna sell dope forever / Just wanna be who I am.” 2 Chainz does simple ambitions well, here rapping “Entrepreneur, strip club connoisseur / hot fudge sundae, pour it on you hallelujah…” – need I go further? Big Sean also keeps it simple and 100 at the same time, rapping “Pretty girls is my reputation / one on my arm, that’s decoration…” We all enjoy a good club track about excess though, so I give this one a pass…a highly recommended one at that.
“Nosetalgia” is a perfect follow-up, only made more perfect by featuring Kendrick Lamar. The rap IQ here is off the charts, with “Nosetalgia” ranking among the top echelon, and that’s saying something considering how well put together this effort is. One of Pusha’s best lines is his proclamation he was “Black Ferris Bueller, cutting school with his jewels on…what I sell for pain in the hood, I’m a doctor…” while Kendrick Lamar’s slaughtering verse is capped off with “Go figure motherf**ker, every verse is a brick.” “Pain” is a solid penultimate cut, still very ‘heavy’ in content and in its overall sound. Standout closing cut “S.N.I.T.C.H.” succeeds not only because of it’s production or Pharrell’s distinctive voice performing the hook, but because it continues to keep things real. The evidence lies lyrically: “Nowadays n***as don’t need shovels to bury you / pointing fingers like pallbearers how they carry you / so much for death before dishonor / might as well have a robe and a gavel like your honor…”
Now the burning question is just how great is My Name Is My Name? I’d say pretty great; one of the best rap albums of 2013. Pusha T is quite underrated, but he is definitely one of the better MCs in the game. Sure rap about dope may not be for everybody by itself, but Pusha T’s authenticity and honesty easily atone for any reservations.
Favorites: “Numbers On The Boards”; “Sweet Serenade”; “Hold On”; “Who I Am”; “Nosetalgia”; “S.N.I.T.C.H.”
Pusha T | My Name Is My Name | Def Jam | US Release Date: October 8, 2013
Photo Credits: Alberto Reyes/WENN.com